Crime As Art

KEVIN JACKSON: Certain parts of the book (Cocaine Nights) advance rather unorthodox ideas about crime: that crime cements a community and that, in more concrete terms, it can be seen as a kind of performance art.

JG BALLARD: Well, the main character has stumbled on a way of waking people up. Life for them becomes keener, sharper, and so these people become more prepared to explore their own imaginations. They’re no longer passive. I’m not suggesting we should all leave our doors unlocked; or that we should burgle our neighbours, who, enriched by the experience, will then bring the violin down from the attic and entertain us with a string quartet… Rather, I think we need to look at the world we inhabit and see how these social aggressions are manufactured. It may be that a civilised life comes at a price.

This monoculture that is emerging, a world of noisy, intruding horror: you just want to get on with what you’re doing, which is nothing. These security-suburbs are a way of shutting out the world, like static on a TV set. The British, especially, have retreated into their own homes. We’re obsessed with a material space where we can define all the elements that make up our lives."

Emphasis mine.

From an interview with J.G. Ballard, summer 1997.